When I was in the 8th grade. I started writing raps here and there, testing myself to see if I had it in me. The more I wrote, the more It felt natural so I kept on developing my skill.
No, fortunately. I became part of the Project Blowed movement where it was a little tougher for a non-black MC to get shine, but talent was recognized so therefore race or complexion wasn't really a factor. I'm not Caucasian, I'm a mixed mutt if you will, (Puerto Rican, Mexican & Italian) but I could see how people would assume that I'm white.
I tend to spit at a rapid pace which is a trademark of the mid 90's Project Blowed style prowess. You could say I'm comparable to influential giants such as Freestyle Fellowship, Abstract Rude, Hip Hop Kclan, & CVE who were and still are my mentors til today. Other similar influences are Organized Konfusion, LONS, Ultramagnetiic MC's & Big Daddy Kane. I've always been fond of word play, word chops and all out experimentation through lyricism. As I progressed I learned how to convey a relative message with the use of these methods and develop my own personal rhyme style.
It depends, it ranges anywhere from one day to 3 months. I could begin a verse and get eight bars into it, get stuck and not come back to it til I'm in the mood, other times I'll be sitting in the lab smoking a joint and the words will pour out like water. I find it easier to work on multiple verses at a time, this allows me to complete songs faster. I use an unconventional approach, I don't write on paper til the song is completely pieced together in my head.
I aim to shock and awe the crowd and give them something that the last or next act can't or couldn't. The amount of energy that people channel is enormous, I feed off of it and It takes my showcase to the next level, super saiyan style. Overall, I love to see that frozen look in the gazers eyes when I lock them in for the mind kill.
Really, just hanging out with my friends and family and having good conversation, watching movies, sipping wine with some good laughs. My life is pretty basic, I don't sky dive or horse-back ride. I like to game a bit, go to Museums and concerts occasionally.
I'm equally devoted to my group and my own stuff but the no compromise feeling of doing solo work is quite grand! What's good about Acid Reign is that me and BeOND are like twin brothers who think alike, we have no conflicts when it comes down to the creative process. We tend to agree with each other ideas most often.
We got respect at Project Blowed by the OG's in the pre-millenium which had a trickle-effect on the fans in LA and the growing fan base out of state and overseas. To this day, our name has circulated world wide and we are recognized but still not respected like we should be I believe. To be honest. respect really has no meaning any more. We are in the age of over night success acts and gimmick whores.
I have a deal with Tokyo Dawn records out of Munich, Germany for an LP to be released sometime in 2012. I prefer to sign one album deals now and days and that's only if the label can provide what our own label can't. Both myself and Acid Reign have released projects on Alpha Pup Records, Uncommon Records, Briefcase Rockers, Festen & Nomadic Sound System and we've also collaborated with many other taste makers around the globe.
A lot of 60's & early 70's prog/syche rock, free Jazz, various forms of electronic music and pretty much anything bizzarre or spine tingling.
Look forward to my upcoming LP, Poverty's Prodigy dropping early 2012 on our label, Acid Lab Records. Also, a compilation at the end of this year featuring all Acid Lab artists (Acid Reign, BeOND & Gajah, Express Fresh & Damien Rodriguez, the fore-mentioned Tokyo Dawn release and a project with UK producer Awkward.
Work hard, keep your eye on the prize and don't let anyone or anything get in your way, you're unstoppable!